James Reyne, the iconic Australian musician, reflects on his past with a 1983 film that holds a special place in his heart. This film, titled 'Going Down', was a poignant reminder of his love for Vera Plevnik, a talented actress who tragically passed away in a car accident in 1982. Reyne's involvement with the film began when he offered a song for the soundtrack, a gesture born out of his deep affection for Plevnik. However, it was Plevnik who initiated the collaboration, as Reyne humorously reveals.
'Going Down' is a gritty, energetic drama that captures the essence of youth and the drug culture of Sydney in the 1980s. The film follows four young women on their last night out before one of them leaves for New York. It was a time of explosive energy in Australian culture, with vibrant nightlife and live bands in Kings Cross. Reyne's connection to the film is evident in his recollection of the era's drug culture, which included Mandrax and booze.
The film's release was a challenging journey. It received positive reviews but faced distribution issues, eventually being released by Keenan himself. It found a dedicated audience at Sydney's Roma cinema but struggled in Melbourne. The cast included David Argue, Esben Storm, and cameos by notable figures like Hugh Keays-Byrne and Claudia Karvan. Reyne's admiration for the film stems from its authenticity, reflecting the realities of share houses and party life.
'Going Down' was a long-forgotten gem until an American filmmaker, Elizabeth Purchell, discovered it in a New York video store. She recognized its cultural significance and its female-centric narrative, which was rare in contemporary Australian films. The film's restoration in 4K by generous film industry friends has breathed new life into 'Going Down', allowing audiences to appreciate its timeless appeal.
Reyne expresses enthusiasm for the film's revival, highlighting its genuine origins and the passion of its creator, Haydn Keenan. He appreciates the film's focus on young women and its raw portrayal of their experiences. Keenan shares Reyne's sentiment, emphasizing the film's historical value and the joy of seeing it restored to its former glory.
'Going Down' is a testament to the enduring power of cinema, offering a glimpse into a bygone era of Australian culture. Its second life in Australian cinemas is a celebration of its unique storytelling and a tribute to the talent of Vera Plevnik, whose tragic death left an indelible mark on the film industry.
